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National Taiwan Normal University Course Outline Spring , 2025 |
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@尊重智慧財產權,請同學勿隨意影印教科書 。 Please respect the intellectual property rights, and shall not copy the textbooks arbitrarily. |
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| I.Course information |
| Serial No. | 1856 | Course Level | Master |
| Course Code | EMM0122 | Chinese Course Name | 藝術歌曲跨文化研究 |
| Course Name | Art Song across Cultures | ||
| Department | Graduate Institute of Ethnomusicology | ||
| Two/one semester | 1 | Req. / Sel. | Sel. |
| Credits | 2.0 | Lecturing hours | Lecture hours: 2 |
| Teach in English | Y | Teach in National Languages | |
| Prerequisite Course | ◎1. This course is not available for undergraduate students. 2. If the listed course is a doctoral level course, it is only available for PhD students. | ||
| Comment | Location: 2F, No. 31, Shi-da Rd. | ||
| Course Description | |||
| Day & Class Period/Location | Wed. 6-7 Heping 11111 | ||
| Curriculum Goals | Corresponding to the Departmental Core Goal | ||
| 1. Understanding the historical origin and development of art song, bothin its Western contextand selected traditions beyond |
Master: 1-2 Understand the theories and concepts of ethnomusicology and be able to do research independently. |
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| 2. Analyzing Chinese-language art song through cultural contextualization and examining the music-text relation |
Master: 2-2 Be able to conduct research on the performance techniques, music theory and styles of a specific type of music, becoming an educator in the field of ethnomusicology. 3-1 Have respect for different musical art forms. |
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| 3. Cross-cultural appreciation of art song as expression of self, nation, modernity, and cosmopolitanism |
Master: 3-3 Be able to accept tradition and respect innovation. |
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| II. General Syllabus |
| Instructor(s) | CHEUNG, Joys Hoi Yan/ 張海欣 | ||
| Schedule | |||
Wk 1: Introduction Wk 2: Art song and modernity: overview - Chinese cases and beyond - sources Wk 3: German Lied (1) - Readings: Taruskin, Ch. 1-3 Wk 4: German Lied (2) - Readings: Taruskin, Ch. 4 Australia (1) - Readings: Forbes (Ch. 19) Wk 5: Australia (con’t) Japan (1) - Readings: selected chapter from Ch. 2-6 Wk 6: Japan (2) - Readings: selected chapter from Ch. 2-6 Wk 7: (Week of Tomb Sweeping Festival and Children Festival holidays) Wk 8: Korea (1) - Readings: selected chapter from Ch. 7-10 Wk 9: Korea (1) - Readings: selected chapter from Ch. 7-10 Wk 10: Chinese - Readings: selected chapter from Ch. 11, 13-14 Wk 11: Taiwan - Readings: selected chapter from Ch. 15-18 Wk 12: 5/7 Ena Aldecoa, guest lecture, “Art song of the Philippines and beyond” (tentative) 5/8 Ena Aldecoa, Art song performance workshop / masterclass Wk 13: CD album oral report - include Final Project title and brief description towards the en Wk 14: (scheduled for 5/8 Aldecoa event) - CAL consultation for Performance Review essay, if not yet done Wk 15: CAL consultation and preparation for Final Project oral presentation *Submission of Performance review essay (after CAL consultation) Wk 16: online class meeting: https://meet.google.com/oio-xnzp-zuh Final project oral presentation Wk 17: Final project submission |
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| Instructional Approach | |||
| Methods | Notes | ||
| Formal lecture | |||
| Group discussion | |||
| Case studies | |||
| Grading assessment | |||
| Methods | Percentage | Notes | |
| Assignments | 15 % | ||
| Class discussion involvement | 20 % | ||
| Attendances | 5 % | ||
| Presentation | 60 % | ||
| Required and Recommended Texts/Readings with References | Banfield, Stephen. 1985. Sensibility and English Song: Critical Studies of the Early 20th Century. New York: Cambridge University Press.
Chao, Nancy Hao-Ming. 1995. “Twentieth Century Chinese Vocal Music with Particular Reference to Its Development and Nationalist Characteristics from the May Fourth Movement (1919) to 1945.” PhD dissertation, University of California, Los Angeles.
Chao, Yuen Ren (Zhao Yuanren) 趙元任. 1987 (1928). Xinshi geji 新詩歌集/ Song of Contemporary Chinese Poems. Re-printed in Zhao Yuanren yinyue zuopin quanji 趙元任音乐作品全集[Comprehensive collection of musical works by Zhao Yuanren], edited by Zhao Rulan (Rulan Chao Pian). Shanghai: Shanghai yinyue chubanshe.
Gelbart, Matthew. 2007. The Invention of "Folk Music" and "Art Music": Emerging Categories from Ossian to Wagner. New York: Cambridge University Press.
Liao, Changyong 廖昌永ed. 2020. Zhongguo yishu gequ bainian 中国艺术歌曲百年/ Chinese Art Songs in 100 Years. Shanghai: Shanghai yinyue chubanshe.
Parsons, James ed. 2004. The Cambridge Companion to the Lied. Cambridge: Cambridge University Press.
Service, Jonathan. 2018. "The Voice in Modern Japan: Translations from the History of the Senses." Japan Forum 30 (3): 303–312.
Stein, Deborah and Robert Spillman. 1996. Poetry into Song: Performance and Analysis of Lieder. New York:Oxford University Press.
Watson, Frances Kenyon. 2020. “Unity and Disunity in Japanese Modern Times: the Songs and Theories of Yamada Kosaku.” PhD diss., St. Catherine’s College.
Audio-visual references:
“Appendix,” Alison and Cheung eds., The Art Song in East Asia and Australia, 1900 to 1950, p. 39.
The resource may be accessed through the following URL or the QR code. https://drive.google.com/drive/folders/1RbWeD30eNGTlpPDg2AaFsMjR7qPpEo8G?usp=sharing
Art of Singing: Golden Voices of the Century. 2002. Directed by DonaldSturrock. France: Nvc Arc.DVD.
Chen Ming-lu 陳明律(coloratura soprano). 2000. Chao Yuen Ren. Chinese Art Songs; Chen Tianhe. Chinese Art Songs;Huang Tzu. Chinese Art Songs. CDs.
_________. 2001-2004. Qing Zhu and Hua Lisi. Chinese Art Songs; Ying Shangneng and Liu Hsueh-an. Chinese Art Songs; Xian Xinghai. Chinese Art Songs; Hwang Yau-tai. Chinese Art Songs; Jiang Dingxian. Chinese Art Songs. CDs.
Gomda Hsi 席慕德(mezzo soprano). 1981. German Lieder, Chinese Folk Songs. New York: Laurel Promotion Co. LP originally.
Rosalie Ching-Yun Chin Vocal Recitals1995-2002 / 金慶雲獨唱會. 2011. Taipei: Yaqie yinyue youxian gongsi. DVD. |
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