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National Taiwan Normal University Course Outline Spring , 2025 |
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@尊重智慧財產權,請同學勿隨意影印教科書 。 Please respect the intellectual property rights, and shall not copy the textbooks arbitrarily. |
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| I.Course information |
| Serial No. | 1854 | Course Level | Master |
| Course Code | EMM0105 | Chinese Course Name | 東亞音樂與現代性 |
| Course Name | Music and Modernity of East Asia | ||
| Department | Graduate Institute of Ethnomusicology | ||
| Two/one semester | 1 | Req. / Sel. | Sel. |
| Credits | 2.0 | Lecturing hours | Lecture hours: 2 |
| Teach in English | Y | Teach in National Languages | |
| Prerequisite Course | ◎1. This course is not available for undergraduate students. 2. If the listed course is a doctoral level course, it is only available for PhD students. | ||
| Comment | Location: 2F, No. 31, Shi-da Rd. | ||
| Course Description | |||
| Day & Class Period/Location | Thur. 6-7 Heping 11111 | ||
| Curriculum Goals | Corresponding to the Departmental Core Goal | ||
| 1. To understand musics of East Asia in relation to their cultures To analyze the modern condition of musics of East Asia |
Master: 1-2 Understand the theories and concepts of ethnomusicology and be able to do research independently. 2-1 Be able to teach in a systematic way the music you perform. |
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| 2. To develop analytical approaches of musical modernity |
Master: 2-2 Be able to conduct research on the performance techniques, music theory and styles of a specific type of music, becoming an educator in the field of ethnomusicology. 3-1 Have respect for different musical art forms. |
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| 3. To reflect on one’s musical experience in relation to East Asia and modernity |
Master: 1-1 Develop proficiency in the performance of diverse musics. 3-2 Respect individual expression and have the ability to get along with others in a group environment. 4-2 Uphold the original state of traditional music art forms, representing the essence of music repertoires. |
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| II. General Syllabus |
| Instructor(s) | CHEUNG, Joys Hoi Yan/ 張海欣 | ||
| Schedule | |||
Week 1: 2/20 Introduction Week 2: 2/27 “East Asian Musics”; English language practice Provine, Tokumaru, and Witzleben, “An Introduction to East Asian Musics and Cultures,” in Garland Encyclopedia of World Music, Volume 7: East Asia Week 3: 3/6 Chinese Musical Modernity: “Translation,” the Sublime, or the Qin Ear Joys H. Y. Cheung, “Singing Ancient Piety and Modernity in ‘Song of Familial Bliss’ (1935): Musical Translation of Huang Zi (1904-1938) in Interwar China,” Asian Music 2010: 41(2) OR Joys H. Y. Cheung, “Riding the Wind with Mozart’s ‘Jupiter’ Symphony: The Kantian and Daoist Sublime in Chinese Musical Modernity” (Music & Letters, 96/4(2015): 534-363) OR Joys H. Y. Cheung, “Pleasing the Ear or Not: Listening to Qin Music in Shanghai during the Interwar Period,” 音樂研究 / Journal of Music Research 2015: 23 Week 4: 3/13 Traditional Strings and Japanese Modernity Philip Flavin, “Tateyama Noboru: Osaka, Modernity and Bourgeois Musical Realism for the Koto,” in Hugh de Ferranti and Alison Tokita eds., Music, Modernity and Locality in Prewar Japan OR Silvain Guignard and Komoda Haruko, “Modern Forms of Biwa Music in Osaka and the Kansai Region,” in Hugh de Ferranti and Alison Tokita eds., Music, Modernity and Locality in Prewar Japan Week 5: 3/20 Traditional Aesthetics in Contemporary Japanese Music “Toru Takemitsu on Sawari,” trans. and annotated by Hugh de Ferranti and Yayoi Uno Everrett, in Everrett and Lau, eds., Locating East Asia in Western Art Music
Week 6: 3/27 Composers of East Asian modernity (film 1) Isang Yun inbetween North and South Korea * submit CD album oral report title Week 7: 4/3 (Week of Tomb Sweeping Festival and Children Festival holidays) Week 8: 4/10 Korean traditional ensemble in modernity YooMin Wang (guest lecturer), “Changdan: Rhythmic Modes in Traditional Korean Music and its Modern Uses” Reference: Donna Kwon, “Chapter 3 The Politics of Preservation and Revival in Instrumental Music,” in Music in Korea: Experiencing Music, Expressing Culture (OUP, 2012). (the sections on sanjo and changdan) Week 9: 4/17 Syncretism in Contemporary Korean Music Jeongmee Kim, “Musical Syncretism in Isang Yun’s Gasa,” in Everett and Lau, eds., Locating East Asia in Western Art Music Week 10: 4/24 Local Stylistics in Early Modern Taiwanese Music Wang, Ying-fen. 2012. “Zhang Fuxing’s Musical Negotiation between Tradition and Modernity in Colonial Taiwan”. In The World of Music, Special Issue: Colonial Modernity and East Asian Musics, edited by Hugh de Ferranti and Yamauchi Fumitaka, vol. I, 15–46 Week 11: 5/1 CD album oral report (Film: Toru Takemitsu and film music OR Chou Wen-chung, Composer of Confluence Week 12: 5/8 Ena Aldecoa (University of the Filippines), Art song performance workshop / masterclass * final project title and description submission due
Week 13: 5/15 Review; feedback on film review, oral reports; consultation on final project Week 14: 5/22 Composers of East Asian modernity (film 2) Kwaidan (dir. Masaki Kobayashi 小林正樹, 1965) Week 15: 5/29 CAL consultation for final project oral presentation, film review essay (final project essay) Week 16: 6/5 Final project oral presentation Week 17: 6/12 Final project submission; Film review essay submission |
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| Instructional Approach | |||
| Methods | Notes | ||
| Formal lecture |   | ||
| Group discussion |   | ||
| Media, audio, visual materials |   | ||
| Case studies |   | ||
| Grading assessment | |||
| Methods | Percentage | Notes | |
| Assignments | 35 % | Film review essay + CD Album Oral Report | |
| Class discussion involvement | 20 % |   | |
| Attendances | 5 % |   | |
| Presentation | 40 % | oral report (20%) + written essay (20%) | |
| Required and Recommended Texts/Readings with References | Selected General References (monographs or edited volumes): de Ferranti, Hugh and Alison Tokita, eds., Music, Modernity and Locality in Prewar Japan: Osaka and Beyond (Routledge 2013) Everett, Yayoi Uno and Frederick Lau, eds., Locating East Asia in Western Art Music (Wesleyan University Press, 2004) Galliano, Luciana, Yogaku: Japanese Music in the Twentieth Century (Scarecrow Press, 2002) Hesselink, Nathan, ed., Contemporary Directions: Korean Folk Music Engaging the Twentieth Century and Beyond (UC Berkeley, Institute of East Asian Studies, 2002) Kwon, Donna Lee. Music in Korea: Experiencing Music, Experiencing Culture (OUP, 2011) Lau, Frederick. Music in China: Experiencing Music, Expressing Culture (OUP, 2007) Matsue, Jennifer Milioto, Focus: Music in Contemporary Japan (Routledge, 2016) Richards, E. Michael and Kazuko Tanosaki, eds., Music of Japan Today (Newcastle: Cambridge Scholars Publishing, 2008) Tokita, Alison McQueen and Joys H. Y. Cheung, eds., The Art Song in East Asia and Australia, 1900 to 1950 (Routledge, 2023) Utz, Christian and Frederick Lau, eds., Vocal Music and Contemporary Identities—Unlimited Voices in East Asia and the West (Routledge, 2013) Wade, Bonnie. Music in Japan: Experiencing Music, Experiencing Culture (OUP, 2004) "East Asia," in The Garland Encyclopedia of World Music, vol. 7 (Routledge, 2002) Music Recordings: Alexander Street Music Online(e-database): I can share my collection after you have searched Alexander Journals for your project references (choose from the following only): Ethnomusicology (Society for Ethnomusicology SEM) E-Databases: -Dictionaries or Encyclopedias- English Language References & Resources: * You are expected to purchase a copy of at least one item 廖柏森, 朱雯琪,《論文全英語發表:800句學術口語報告 句型與應用(MP3免費下載) (眾文,2022):https://www.books.com.tw/products/0010919261?loc=P_0005_002
Swales, J. M. Academic Writing for Graduate Students Edition: Essential Tasks and Skill (University of Michigan Press, 2012):https://www.books.com.tw/products/F012723573 -Centers- NTNU CAL (Center for Academic Literacy):https://www.cal.ntnu.edu.tw/index.php/en/main/ |
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