National Taiwan Normal University Course Outline
 Fall , 2024

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I.Course information
Serial No. 2011 Course Level Master
Course Code MUM0109 Chinese Course Name 指揮法研究（三）
Course Name Seminar in Conducting (III)
Department Department of Music
Two/one semester 1 Req. / Sel. Req.
Credits 1.0 Lecturing hours Lecture hours: 1
Teach in English Y Teach in National Languages
Prerequisite Course Prerequisite course: 【MUM0167 Seminar in Conducting (I)】 ◎1. This is a cross-level course and is available for junior and senior undergraduate students, master's students and PhD students. 2. If the listed course is a doctroal level course, it is only available for master's students and PhD students.
Comment
Course Description
Day & Class Period/Location Wed. 9 Main Music 307
Curriculum Goals Corresponding to the Departmental Core Goal
1.　學習所有與樂團相關的第一線事務 Master:
　1-5 Possess the knowledge and ability on conducting theory, musical interpretation and conducting practice
　1-6 Possess the knowledge and ability to do independent research on conducting
2.　獲得對於合奏音樂在台前台後運作的全面性知識 Master:
　1-5 Possess the knowledge and ability on conducting theory, musical interpretation and conducting practice
　1-6 Possess the knowledge and ability to do independent research on conducting
3.　了解該作品的的創作歷程。 Master:
　1-5 Possess the knowledge and ability on conducting theory, musical interpretation and conducting practice
　1-6 Possess the knowledge and ability to do independent research on conducting
4.　細心的研究並追求最佳的樂曲詮釋與表達 Master:
　1-5 Possess the knowledge and ability on conducting theory, musical interpretation and conducting practice
　1-6 Possess the knowledge and ability to do independent research on conducting

II. General Syllabus
Instructor(s) Sigmund Thorp/ 齊格蒙.索普
Schedule

The course will give the students an in-depth knowledge of conducting skills, music performance, and a clear understanding of historical interpretation styles required for the pieces the students are working with.

COURSE CONTENT

  • Analysis and discussions on important works from different historical periods
  • Conducting theory and practical conducting exercises
  • Discussions concerning research on conducting and nonverbal communication
  • Conducting and interpretation of important works from different musical periods
  • Conducting masterclasses with ensemble
  • Conducting anatomy / conducting exercises
  • Conducting improvisation and movement improvisation
  • Tasks on conducting anatomy connected to current repertoire
  • Video analysis (individual tuition)
  • Rehearsal planning and rehearsal technique
  • Rehearse as you go/ nonverbal rehearsing and communication
  • Video analysis if time

 

 
Instructional Approach
Methods Notes
Formal lecture  
Problem-based learning  
Cooperative learning  
Lab/Studio  
Field work  
Media, audio, visual materials  
Grading assessment
Methods Percentage Notes
Midterm Exam 30 %  
Final exam 30 %  
Attendances 20 %  
Presentation 20 %  
Required and Recommended Texts/Readings with References

Reference books

 

  • N. Del Mar: Conducting Beethoven: The Symphonies. Oxford Univ. Publs; 1992
  • M. Rudolf: The Grammar of Conducting: A Comprehensive Guide to Baton Technique and Interpretation. Shirmer, NY; 1950
  • H. Farberman: The Art of Conducting Technique: A New Perspective. Warner Bros; 1997
  • N. Del Mar: Anatomy of the Orchestra
  • J. Heider: The Tao of Leadership
  • S. Thorp: The Anatomy of Conducting
  • s.Thorp: The Conductor's Roadmap

 

CURRICULUM

1. Works of the Baroque period.

2. Classical period works.

3. Romantic period works.

4. Modern period works.

 

EXAMPLES ON REPERTOIRE

Brahms:           Ave Maria, Op. 12

Elgar:                 Serenade for Strings

 

Bach:                 Cantata no. 63, “Christ ätzet diesen Tag” BWV 63

Schubert:       From Mass no. 1 in F major: Gloria until Cum sancto Spiritu

Verdi:                Requiem, Movement 1 - Requiem

Mozart: From “The Marriage of Figaro”, third act:

Recitative and aria “E Susanna non vien” – “Dove sono”

Mozart:              Symphony no. 40 (version with clarinet)

Beethoven:      Symphony no. 2

J. Strauss:         Der Ziegeunerbaron Overture

Tchaikovsky:   Rococo Variations Op. 33 (Fitzenhagen)

Brahms:             Symphony no. 2

 

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Mozart:               Ave verum corpus, K. 618

Bruckner:           Tantum ergo, WAB 44

Bach:                   Cantata no. 127 and 140  extracts 

Schubert:            Mass in G major, D 167

Mozart:               Requiem K. 626 (extracts)

Barber:                Agnus Dei

Sibelius:              Valse triste

Mozart:               Symphony no. 35

Beethoven:        Symphony no. 4

Wagner:              Siegfried Idyll

Dvorak:               Symphony no. 8 and 9

G. Verdi:             Rigoletto (extracts)

Mozart: Symphony no. 40

Mozart: Opera Die Zauberflöte, K. 620 (Extracts)

Beethoven: Overture Egmont

Beethoven: Symphony no. 2, 5

Schubert Symphony no. 8 (Unfinished)

Brahms: Symphony 1 

Debussy: L’apres midi d’un faune

Stravinsky Octet for Winds

Barber Adagio for Strings

 

 

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