National Taiwan Normal University Course Outline
 Fall , 2024

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I.Course information
Serial No. 2314 Course Level Undergraduate / Master
Course Code MUC0068 Chinese Course Name 歌劇演唱（一）
Course Name Opera Singing (I)
Department Department of Music
Two/one semester 1 Req. / Sel. Sel.
Credits 2.0 Lecturing hours Lecture hours: 2
Teach in English Y Teach in National Languages
Prerequisite Course
Comment
Course Description
Day & Class Period/Location Mon. 6-7 Main Recital Hall
Curriculum Goals Corresponding to the Departmental Core Goal
1.　(1) Through solo, ensemble and other classic opera selections (scenes) and music clips, to strengthen students' stage singing College:
　2-2 Possess the ability of making diverse artistic performances
2.　(2) To cultivate students' ability to interpret opera roles, singing styles and overall presentation of musical theatre  

II. General Syllabus
Instructor(s) KENG, Li/ 耿立
Schedule

依照學生能力指導學習合適之獨、重唱曲目，並著重在角色分析、聲音詮釋、音樂內涵及配合以舞台戲劇之肢體訓練。 

第一週 介紹音樂動機與肢體表演,舞台動作分析與示範 
第二週 觀摩並分析討論影音資料名家經典演出 
第三週 學生自選歌劇詠嘆調演唱並加上肢體動作 
第四週 學生自選歌劇詠嘆調演唱加上肢體動作 
第五週 學生自選歌劇詠嘆調演唱加上肢體動作 
第六週 分組獨、重唱演唱指導 
第七週 分組獨、重唱演唱指導 
第八週 分組獨、重唱演唱指導 
第九週 分組獨、重唱演唱加動作指導 
第十週 分組獨、重唱演唱加動作指導 
第十一週 分組獨、重唱演唱加動作指導 
第十二週 分組獨、重唱演唱加動作指導 
第十三週 第十四週 期末演出總排練(Run Through) 
第十四週 期末演出總彩排(Dress Rehearsal) 
第十五週 期末演出 
第十六週 期末演出檢討 
Instructional Approach
Methods Notes
Formal lecture  
Group discussion  
Cooperative learning  
Lab/Studio  
Grading assessment
Methods Percentage Notes
Final exam 40 %  
Class discussion involvement 20 %  
Attendances 10 %  
Shows/ Exhibitions 30 %  
Required and Recommended Texts/Readings with References
張馨濤 (譯) (2003)。歌劇的人物故事。台北: 商周出版。(J. Bourne 原著，1998) 
林祖誠 (譯) (1994)。歌劇群芳譜。台北：世界文物。(H. Matheopoulos 原著，1994) 
湯定九 (譯) (1995)。歌劇群英譜。台北：世界文物。(H. Matheopoulos 原著，1995) 
Clark, Mark Ross.(2002). Singing, Acting, and Movement in Opera:A Guide to Singer-Getics. Bloomington: Indiana University Press. 
Dornemann,J., & Ciaccia, M. (1992). Complete Preparation: A Guide to Auditioning for Opera. New York: Excalibur Publishing Inc. 
Montgomery, A. (2006). Opera Coaching: Professional Techniques and Considerations. New York: Routledge 
Ostwald, D.. (2005). Acting for Singers: Creating Believable Singing Characters. Oxford: Oxford University Press. 
Singher, M. (1983). An Interpretive Guide to Operatic Arias: A Handbook for Singers, Coaches, Teachers, and Students. The Pennsylvania State University Press.

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